Blought #32: DMCA vs Music Pt. 1

When Kanye West announced the release of his latest album The Life of Pablo I was ecstatic. Sadly it came with a rather large asterisk. Not only did Yeezy announce that the album would be released exclusively in digital format, but that he was also only releasing it through Tidal. Thankfully the album was made available on Spotify but I’m still not able to complete my collection of Kanye’s physical albums.

Of course this issue is bigger than Kanye. After a bit of digging I’ve drawn the conclusion that the music baseness is moving away from physical music releases. This past spring over 400 musicians, mangers and labels signed a petition urging congress to make changes to the Digital Millennium Copyright Act or DMCA.

The DMCA was unanimously passed by congress before being signed into law in 1998 by President Bill Clinton. At the time the internet as we know it was still in its infancy.  The DMCA was created as a provision to protect an artist’s work from being illegally distributed on the internet.

Blought #21: The Beauty of the 'Surf'

In life some of the things we enjoy the most are the ones that are best aged. We all love trends because they're fun and in this day and age we can quickly share them with others. For me the music that I enjoy most is the music that stays with me for a long period of time. Now I didn't listen to Surf by Donnie Trumpet (Chicago trumpeter Nico Segal) & The Social Experiment right away. Music to me is best enjoyed when all of the hype has died down. When all of the biased critics can subside and the internet fan boys can latch onto the next release.

With Chance the Rapper's name attached to Surf I knew that the Jazz infused Indie\Hip-Hop album would attract a bunch of hype. Once Sunday Candy dropped It still felt like Surf was only Chance‘s project, but it was more than that. Phil Hebblethwaite of NME stated Surf sounds "infectious, light and upbeat, but never inane. It begs you to feel included, and wide-awake", and I completely agree. All of the instruments, arrangements and guest spots reassure you that this was something that everyone involved clearly enjoyed.

Here is my brief track by track analysis of Surf:

Blought #17: The BET Hip-Hop Awards Suck!

So here’s the deal with BET. Viacom, the television  company that owns; Nickelodeon, MTV, Comedy Central and a bunch of other channels bought out BET for well over $2 billion in stocks around 2000. Reportedly the deal involved BET founder Robert L. Johnson becoming a major shareholder of Viacom. Blacks still call the shots but they answer to some white guy with quadruple their net worth to get advertising money which really pays television station bills and salaries.

This article isn’t here to get into all of that. It was just a backdrop to why I think the BET Hip-Hop awards blow. Granted, this year the awards did have to compete against the Las Vegas Democratic debate. But I mean let’s be honest here, the majority of Hip-Hop awards viewers aren’t into politics. I don’t need numbers to back that up, I live it.