Showing posts with label Hip-Hop. Show all posts
Showing posts with label Hip-Hop. Show all posts

Saturday, July 2, 2016

Blought #33: DMCA vs Music Pt. 2

In part 1 of this piece I explored my legal understanding of the DMCA and what it means for the music business. The concerns of piracy and illegal distribution of content has led to the increasingly strong push for digital only music. Streaming also seems to be the industry’s fix a flat approach to curbing piracy.

Personally I believe this is a bit of a twist-arm approach. On one hand subscribers have access to millions of songs by countless artist. On the other hand not all content is available through all services. For example Jay-Z’s debut album Reasonable Doubt is not available on Spotify.

The streaming industry is enjoying exponential growth as competition increases. Companies like Pandora and Spotify have been joined by Apple Music and Tidal as the newest horses to the race.

Friday, July 1, 2016

Blought #32: DMCA vs Music Pt. 1

When Kanye West announced the release of his latest album The Life of Pablo I was ecstatic. Sadly it came with a rather large asterisk. Not only did Yeezy announce that the album would be released exclusively in digital format, but that he was also only releasing it through Tidal. Thankfully the album was made available on Spotify but I’m still not able to complete my collection of Kanye’s physical albums.

Of course this issue is bigger than Kanye. After a bit of digging I’ve drawn the conclusion that the music baseness is moving away from physical music releases. This past spring over 400 musicians, mangers and labels signed a petition urging congress to make changes to the Digital Millennium Copyright Act or DMCA.

The DMCA was unanimously passed by congress before being signed into law in 1998 by President Bill Clinton. At the time the internet as we know it was still in its infancy.  The DMCA was created as a provision to protect an artist’s work from being illegally distributed on the internet.

Wednesday, November 18, 2015

Brendan Whitt's 15 best Rapper-Actors

What separates a regular rapper from all other rappers? Film and television credits. As we get wrapped up in the personas of these rappers (e.g. Rick Ross, Lil Wayne, Diddy etc.) we have to remember that these guys and girls are entertainers. Look at the legends like Sammy Davis Jr. Dude sang, acted on screen and stage and he could dance. Now that’s an entertainer.

As Hip-Hop broke out onto the national scene as a new cultural movement, rappers began to be approached to star in films a television specials centered around this “new” culture. Some of the best actors of our generation started off as singers or rappers. Here is a list of my favorite rappers turned actors.

First here are my criteria for the list: 1. Must have a rapping credit befor an acting credit, 2. My personal opinion on cultural relevancy, 3. Only T.V., Film, Theater and Video Game credits count, 4. Individual success and critical acclaim.

WARNING: THE PICTURE QUALITY ISN'T THE BEST!

Thursday, November 12, 2015

Blought #21: The Beauty of the 'Surf'



In life some of the things we enjoy the most are the ones that are best aged. We all love trends because they're fun and in this day and age we can quickly share them with others. For me the music that I enjoy most is the music that stays with me for a long period of time. Now I didn't listen to Surf by Donnie Trumpet (Chicago trumpeter Nico Segal) & The Social Experiment right away. Music to me is best enjoyed when all of the hype has died down. When all of the biased critics can subside and the internet fan boys can latch onto the next release.

With Chance the Rapper's name attached to Surf I knew that the Jazz infused Indie\Hip-Hop album would attract a bunch of hype. Once Sunday Candy dropped It still felt like Surf was only Chance‘s project, but it was more than that. Phil Hebblethwaite of NME stated Surf sounds "infectious, light and upbeat, but never inane. It begs you to feel included, and wide-awake", and I completely agree. All of the instruments, arrangements and guest spots reassure you that this was something that everyone involved clearly enjoyed.

Here is my brief track by track analysis of Surf:

Thursday, November 5, 2015

Blought #19: Is Cultural Appropriation a Real Problem?

Is denying a white person the freedom to embrace
cultures outside of their own racists or justifiable?
This is probably as best a time to be African American as it’s ever been. The nation’s first black president is finishing up his second term, our music continues to dominate the airways and American pop culture and racists attitudes and remarks are finally becoming taboo in our society. As a black male in my early 20’s it’s great to know that I live in a country that is becoming more socially liberal and accepting of all types of cultures.

I do however find it counterproductive to our own cause as a race and culture to blast anything not black that would like to take part in our culture. I know cultural appropriation exists but is it always negative when a white girl wants to wear cornrows? How can hair braiding be cultural appropriation when cultures in Europe and Asia had their own braiding styles that most black hair textures can‘t achieve. The modern cornrow wasn’t worn until c. 1970. I know this question is becoming old but are you black women not appropriating white culture when you dye your hair blonde?

Sunday, November 1, 2015

Friday, October 30, 2015

A Refreshing Sound for Cleveland Hip-Hop


Cleveland rapper Authentic Issue is set to release his new mixtape titled “Fuck All That, Just Rap!”. He passed me two of the songs off of the upcoming project and I must say I was impressed. The Intro is a sobering reality of what Cleveland is going through during this time of transition. The public housing area known as Longwood or Down the Way, the area Authentic Issue calls home has gone through some drastic change over the past few years.

Thursday, October 29, 2015

Go Support #YoungLangston on November 1st!!!

Later this week I will be launching an Indie Go-Go campaign to raise funds to print copies of A Summer In Harlem and When the Crows Come Home along with my promotional bookmarks and laptop stickers. Here is the promotional video for the campaign set to begin on November 1st. I will be posting a link for the campaign in the near future. Thank to all of my supporters, Peace...



 

Tuesday, October 20, 2015

Blought #17: The BET Hip-Hop Awards Suck!


So here’s the deal with BET. Viacom, the television  company that owns; Nickelodeon, MTV, Comedy Central and a bunch of other channels bought out BET for well over $2 billion in stocks around 2000. Reportedly the deal involved BET founder Robert L. Johnson becoming a major shareholder of Viacom. Blacks still call the shots but they answer to some white guy with quadruple their net worth to get advertising money which really pays television station bills and salaries.

This article isn’t here to get into all of that. It was just a backdrop to why I think the BET Hip-Hop awards blow. Granted, this year the awards did have to compete against the Las Vegas Democratic debate. But I mean let’s be honest here, the majority of Hip-Hop awards viewers aren’t into politics. I don’t need numbers to back that up, I live it.

Monday, October 12, 2015

Blought #13: Nicki-opoly

Finding a generally popular female rap artist is like finding a black republican. It isn’t impossible but it is fairly difficult. When I say generally popular I mean a female emcee who can come off as appealing to a wide range of Hip-Hop fans. When Hip-Hop evolved from mainly just Dj’s to emcees actually spitting bars, women had a say so as well. Emcees like Queen Latifah and MC Lyte were spreading socially conscience rhymes with a feminist view.

When the mid 90’s rolled in artists like Lil Kim, Missy Elliot, Da Brat, Trina, Eve and Foxy Brown all fought for their shine and the title of Queen of Hip-Hop. One by one they each began to fall off into obscurity. Da Brat and Foxy Brown quickly lost all traction and relevancy, Lil Kim and Trina stayed afloat until the mid 2000’s leaving Missy Elliot to claim the crown of Queen of Hip-Hop.

If you’ve read Blought, #9 ‘Damn, Shit Done Changed’, you heard the idea that over time Hip-Hop fans have forgotten or shunned previous generations. This past February Katie Perry performed during the Super Bowl XLIX halftime show. Perry brought out the previous Queen of Hip-Hop Missy Elliot. Teenagers who are too young to remember Elliot and her slew of hits questioned who she was and even suggested Katie Perry would help her blow up… Really?

Unlike the 90’s, today’s female Hip-Hop scene is completely ruled by Nicki Minaj. Although Missy Elliot arguably won her era there was still an even playing field. With Nicki and her peers, it isn’t even close.

Friday, September 25, 2015

Blought #9: 'Damn, Shit Done Changed'

A bout a week back I ran across a meme on Facebook that had Biggie sitting down in a chair with his head leaning up against his arm. Biggies natural sleepy expression was used to convey the message of the meme that said something to the tune of “How it feels listening to Hip-Hop today”. I classify myself as a lover of various forms of Hip-Hop. I can listen Rick Ross, Common, Pharcyde, Lil B (yes, the Based God entertains me), Joey BadA$$, Mac Miller and just about any other major or underground rapper out there. Hell even G Eazy has a song I enjoy.

For some reason some faux black elitist crowd has begun to surface around social media over the past few years. They disregard the most current urban of Hip-Hop like Rick Ross and Lil Wayne and call it trash. What they fail to realize is that Hip-Hop is entertainment.

Monday, September 21, 2015

'Papers' from 'When the Crows Come Home'

When the crows come home
We get high my nigga

When the crows come home
We drink dark French liquor

When the crows come home
It’s like fam got back together

When the crows come home
My heart feels better

When the crwos come home home
Lil niggas got they pops

When the crows come home
We need a red carpet for the block

'Contraband' from 'When the Crows Come Home'

Contraband got him shoes
Contraband stashed in his sock
Contraband paid his momma rent
And got his little brother an XBOX

Contraband bought diapers
Contraband cause fights
Contraband got you a new whip
And keep you up at night

Contraband got you a quick buck
Contraband was the plan
Contraband ain’t no way to live
And it didn’t last

'Gotta Do Better' from 'When the Crows Come Home'

You shouldn't yell" free my nigga"
Instead we should be promotin "teach my nigga"
Take yo son hand
And not a key my nigga
Now we wearin orange jumpsuits
Cause the lick was sweet my nigga
I understand the man don't like us niggas
But why we gotta keep addin to the problem
Cause then we gon keep bein niggas

'Rappers' from 'When the Crows Come Home'

Look at these rich pampered niggas
They all claim to be the realest
You wouldn’t be authentic
Even if the US Mint made ya
Counterfeit thugs got famous
Cause Atlantic or Def Jam pay ya
Like Africans sellin Gucci
Y’all just a bunch of fakers
And Capitol just want capital
Cause once that cell or casket closed
That’s when ya album chart and go gold

'When The Hens Roost' from 'When the Crows Come Home'

The sun ain’t hit the top yet
And the birds out chirpin’
Mr. Farmer just finished his joe
Time to get workin

Had a steer pullin a plow
And the dog herdin his sheep
Mr. Farmer went to the coop
And couldn’t believe what he didn’t see

Not a hen was there
And they hadn’t laid any eggs
“I done lost to a goddamn coyote”
Then an idea popped into his head

If they ain’t in the coop layin
Or walkin around outside
They probably sittin somewhere talkin
Guess I’ll give them some time

'Untitled 3' from 'If I Wrote a Hip-Hop Album'

Can we put the guns down
Put a L in the air
Its like every other week
All a young nigga hear
RIP my nigga
Another black male dead
And it hurt me soul
Make me wanna drop a tear
Another son aint here
Another brother gunned down
Can we put the guns down
I don’t who next
But I hope it aint me
Hope it aint my nigga
Hope it aint my fam
So what you ‘sposed to do
When the streets so cold
You need heat by ya belt
Like a nigga name Pacino
Whats the motive anyway
Mucho Dinero
But the means aint worth it
So I beg and I plead
Can we put the guns down
No more black mothers cryin’
Lil bros grow up mad
Cause he lost his brother, closest thing to his dad
It just make me so sad
Can we please put em down
Just put the guns down

'Tribe Lords Look to Plant Seeds for Cleveland Hip-Hop' by Brendan Whitt (Courtesy of Volume Magazine Cleveland)

When you think of Cleveland Hip-Hop who comes to mind? Bone Thugs and… Well that’s it. Cleveland, a Midwest city currently in an urban renewal and explosion of local arts still can’t seem to find a substantial place in the national Hip-Hop community. Kid Cudi, who is arguably the biggest name in the Cleveland music scene, falls more into the alternative genre although most of his influence comes from hip-hop.
Like all movements, whether it is arts based or political, this one has to start underground. Local artists Tony Blunt and Tilla, collectively known as Tribe Lords (stylized as Trib3 Lxrd$) are looking to make that kind of splash on the local Hip-Hop circuit. Both Cleveland natives, Tony and Tilla are looking to define Cleveland Hip-Hop. “Cleveland is still looking for a sound” says Tilla. “The east side is doing more but we need both sides of the city to come together to make this work” Tony added. “Right now its like crabs in a barrel.”...

Friday, November 29, 2013

'Afro That Holds My Pick' from 'If I Wrote a Hip-Hop Album'

The Afro that holds my pick is more than just hair.
It serves as a symbol of strength for a displaced now mixed race of oppressed people.
When no one would call out the world’s big brother for what they had done,
we grew out our native kinks, picked them out,
and put our ebony fist in the air.
The Afro that holds my pick was worn when Conductor Cornelius,
led the country on a magical journey upon his train of soul.
When the sweet tunes of The Spinners, Ohio Players,
and The Commodores graced the radios of Black America
My pops and his niggas all rocked the simply coined “Fro”
The Fro I rock has purpose.
I bear the pain from every pull of my pick.
I know it don’t equal lashes
but it’s the best way to represent.
Now from beatin’s to hangin’s, to revolutions, to groovin‘,
not only is my Afro a hairstyle,
it also serves as a symbolic
historical text book for my people.
Ima sag my pants with the pick in my back pocket
to show where I’m from,
And use my pick to show what I’m Is.

Blought #7 'Avant Garde Hip-Hop and Why it Needs to Die'

Hip-Hop has now been around for nearly 40 years. The impact it has left on the music world is hard to put into words. It has spanned over numerous eras and has spawned many of its own sub-genres. Hip-Hop has seen it's Golden Age, Conscious Age, Gangsta Age, and now a new age. The rebirth of Hip-Hop that has taken place over the past five or six years is breeding a sound and culture I really don't like. Before I get into that let me do a little background.

In the early 2000's my favorite artist of "All Time!" broke onto the scene. Yes, I'm talkin' about Mr. Kanye Omari West. He not only brought millions of records and countless Grammys, he also brought his own style. Kanye has remained relevant thanks to his phoenix like approah. After every album Kanye was able to reinvent himself and bring a new and different styled Kanye to the table. This las go around he brought something my genration just won't let go of. This new Avant Garde style Hip-Hop. When Ye first did it, I won't lie. It was kind of cool. Heavy bass lines, choral like arrangements in the back ground, and his weird $600 leather skirts was something we all expected from the musical genius.

Sadly many of my peers have taken it too far. Many artist have taken to the sound and they bring nothing new. Just a recycled Kanye type product. Its okay for an entertainer to wear a leather skirt, but the average joe wearing Pyrex. You  look stupid. When did it become cool to wear over-sized hockey jerseys  that replace capital A's with capital V's with trim along the bottom that looks like black and white 1960's floral wall paper? Remember people, he's an entertainer, you are not. Only thing worse than you are hipsters, and America hates hipsters! So lets stop thinking we all can make the next HAM instrumental and stop with the Pyrex purchases and let this fad die. Avant Garde means ahead of its time. You're just recycling it.